2007 Tasticplastic, Galerie 13 Sevigné, Paris

2006 Boom, Galería Fernando Zubillaga, Caracas

2005 PepeLópez,MondrianmeetsHansaplast,13 Se- vigné-Baudoin Lebon, Paris

2004 Comoenlatele-project room with Carlos Sosa- Museo de Bellas Artes, Caracas

2002 Sugarfree-with Carlos Sosa- The Puffin Room, N.Y / Sala Mendoza, Caracas; LeadersMarket, Galería Alternativa, Caracas

1998 Dick,head&roses, Gaswork Gallery-InIVA, London

1995 LópezReuspinturasyesculturas, Sala Mendoza, Caracas

1993 Vacivus, Centro de Estudios Latinoamericanos RG, Caracas

1992 Lasexualidad contaminada, Sala Mendoza, Caracas

1991 ForjasdeUltramar, galería H2O, Barcelona

1990 Alkali, Galería VIA, Caracas

1989 RIP, Museo de Arte Contemporáneo de Caracas, Caracas


2007 Utopías, 39 Galería, Caracas; Extrapictórico, Centro Cultural Corp Group, Caracas • 2006 Fotografía, Galería Fernando Zubillaga, Caracas; 9Bienal delaHabana, La Habana

2004 Valores, Fundación Chacao, Caracas; MaríaLionzaenelartecontemporáneo, Museo Jacobo Borges, Caracas; Retomando elvolumen, Museo Alejandro Otero, Caracas / Museo de Arte Contemporáneo del Zulia, Venezuela

2003 8 BienaldelaHabana, La Habana, Cuba; Jó- venesconFIA, Feria Internacional de Arte de Caracas, Caracas

2002 HerefordPhotographyFestival, Hereford, UK; WAR, The Puffin Room, Nueva York; ARW, ATHICA, Athens Institute of Contemporary Art, Atenas; Imagenymovimiento, Estoc d’art, Barcelona

2000 Videohabitats, Museo de Bellas Artes, Caracas

1999 Contemporánea, Museo Alejandro Otero, Caracas

1998 IIIBienalBarrodeAmérica, Museo de Arte Contemporáneo, Caracas

1997 BienaldelMercosur, Portoalegre, Brasil

1995 IIBienalBarrodeAmérica, Museo de Arte Contemporáneo, Caracas

1992 VIPremioMendoza, Sala Mendoza, Caracas


n the creation of art for a globalised world and a public with a need to consume disposable goods and exchange commercial messages, I play with the cultural codes of our society on the borders of our mental representations. My work has a dual purpose: it is both allegorical and a protest, it has the quality of a capricious object that invites a quick and compulsive consumerism and which, out of context, becomes entertainment that stimulates communication. For this purpose I use marketing strategies to locate images in this global village in which we live and in which if an event does not become an image for consumption it does not exist.

There are truths in life that can only be expressed through art and my purpose in life is to create images which have the ability of connecting and communicating on a grand scale. Art is the only way to awaken society.